I previously wrote Part 1 to make space for subdued reflections about "social distancing." (I also recently wrote a more honest, passionate, and rather too personal post in my Facebook page...but I'll simply leave it there in that semi-private space). In this process, I find that repeatedly articulating an idea provides more refinement and clarity, [...]

In collaboration with the Canadian Music Centre, clarinettist Martin Carpentier and accordionist Joseph Petric commissioned me to write a new 6-minute work—I named the piece Kinamulátan—for bass clarinet and accordion. I've never composed for accordion before, and so Joseph handed me some introductory material he wrote himself. Surpassing the initial confusion over the keyboard layouts (including [...]