For downloadable press photos, click HERE to access the electronic press kit section.
Profile shots
Photography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoProfile shots (October 2020)Photography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoPhotography: Prince RequinoProfile shots (2018)
Residencies
Recording session under the Canadian Music Centre Library Residency (Toronto, ON; 2018-2019)Studio setup complete at the Kimmel Harding Nelson Center for the Arts (Nebraska City, NE; 2019)The first sketches of Kinamulátan at the Kimmel Harding Nelson Center for the Arts (Nebraska City, NE; 2019)Grumpy Kitty Boy songs in their early stages at the Kimmel Harding Nelson Center for the Arts (Nebraska City, NE; 2019)Patching up handwritten scripts/graphic scores at Brush Creek Foundation for the Arts (Saratoga, WY; 2018)Mind map sketching for Time moves, straightforward… at Brush Creek Foundation or the Arts (Saratoga, WY; 2018)
Mind maps
In many situations, mind maps are significant in my composition process. When I start a piece, I would think of a point of origin, unpack it bit by bit, start writing a map out of it, and draw networks and connections around what comes out. This unlocks the space of conceiving the music (sometimes directly, but mostly not). I had to decide when to stop, set it aside, and start creating the real thing. While not heard in the music per se, I find that this process adds spatiality to the work in question — the piece is never one-dimensional in nature.
A Study in Exile, No. 4: Paagos, 2019Sa Kanyang Paglayag, 2010 (post-creation)O forse, l’ho già perduta poco a poco…, 2018Kinamulátan, 2019 (part 1)Kinamulátan, 2019 (part 2)Time moves, straightforward…, 2018 (part 1)Time moves straightforward…, 2018 (part 2)