acousmatic works

ACOUSMATIC WORKS

Kinatalí-an [work in progress]
2023-2026. audio essay in 5.1 surround sound. featuring the voices of Cedrik Fermont, Anna Patricia Rodriguez-Carranza, and Azadeh Tajpour. created in part during a MacDowell artist residency with the support of the Ontario Arts Council and the Canada Council for the Arts.

ewig warten…
forever waiting…2023. sound art study in stereo. featuring the voices of Cedrik Fermont and Juro Kim Feliz. haiku poetry by the composer. created under the Words on Music course at the Darmstädter Ferienkurse 2023.

Kina-i-ngátan
2022-2023. audio essay in 6.1 surround sound. [also now in quadraphonic 4.0 and octophonic 8.0 sound]. featuring Goombine (Richard Scott-Moore). commissioned by New Music Concerts with the support of the Canada Council for the Arts.

Kinalugarán
2022. audio essay in quadraphonic 4.0 sound. featuring the voices of Ramon Alfonso “Chino” Soberano, Marie-Luise Calvero, and Riley Palanca. haiku poetry by the composer. commissioned by New Music Concerts with the support of the Ontario Arts Council.

Weekend Rain
2021. acousmatic stereo work. [also now in 5.1 surround sound]. haiku poetry by the composer. featured in Cities and Memory’s “Shortwave Transmissions” project.

Hanggang sa Takipsilim
Until Dusk. 2018. acousmatic stereo work. featured in Cities and Memory’s “Sound Photography” project. released in “Mind & Machine, Vol. 4” under Ravello Records.

And my eye shines in face of the curse…
2017. stereo mix of three separate acousmatic tracks prepared for A Study on Exile, No. 2. recorded readings of text excerpted from a sestina written by Riley Palanca.

Hanggang sa Paglubog ng Araw
Until Sunset. 2017, rev. 2021. acousmatic stereo work. can be played simultaneously with Pagkukumahog, or with Sa Paglilok ng Batong Hindi Nakikita, or both.

L’automne (2014-2016)